| 
				
				HOME      
				ABOUT US     
				PORTFOLIO/OUR 
				WORK      
				 
				THE LASSO KID 
				STORY 
				
				STRATEGIES    
				SERVICES     BIO    
 CONTACT US      
				
				LINKS 
				THE LASSO KID STORY
				
				 
				
				 It’s 
				hard to believe that its been twenty years ago since I awoke in the 
				middle of the night and the words just came out, "Lasso 
				Productions". It was to become a new name for my film, video and 
				advertising company. The concept most likely evolved from a 
				combination of my baby-boomer childhood memories of cowboys, a 
				fascination with mid-century cowboy collectibles (furniture, 
				clothing, etc.), and a love for hillbilly roots music, including 
				recent attendance at that time of live performances by Ralph 
				Stanley, Dwight Yoakam, Asleep at the Wheel, Sleepy LaBeef and 
				others (I remember having a "Ralph Stanley for President" bumper 
				sticker on my Ford Bronco! Long before "Oh Brother Where Art 
				Thou"). Needing a logo 
				for the new name, I came up with the idea of a cowboy riding a 
				camera with his rope spelling "lasso". This was a rather simple 
				corporate looking logo. Shortly thereafter, I became acquainted 
				with a young starving artist named Darryl Banks. I knew he was 
				gifted the moment I saw his fantastically drawn comic book 
				characters. It was only a matter of time before he would be 
				discovered by the comic book world. But in the meantime, I 
				provided Darryl with logo and design work on a freelance basis. 
				He had an amazing ability to draw exactly as I im agined, 
				sometimes right in front of me as I described my ideas. His work 
				inspired and excited me, and soon we where discussing the 
				re-creation of the Lasso logo as a comic book super hero: "The 
				Lasso Kid". He was to be the superman of film and video 
				productions, the "Teleranching Cowboy" who could easily rustle 
				up the best creative projects on time and on budget! We did some 
				story boards for a comic strip but I decided I wanted to convey 
				The Lasso Kid message as a comic book cover. I told Darryl I 
				wanted The Lasso Kid to be pictured flying over the Columbus, 
				Ohio skyline with a lassoed mechanical / robotic steer that had 
				a television head and an antenna tail. The steer was a 
				representation of the advertiser’s or production client’s 
				"target market" and we dubbed him the "Steeroid". Well, Darryl’s 
				hand painted "comic book cover" turned out stunningly and it can 
				be seen on the back of Lasso Productions’ brochures and press 
				kits. My film, video 
				and audio production skills are self-taught and my venture into 
				animation was the same. I always figured that if someone else 
				can do it, so can I. I wanted to make a short animation of The 
				Lasso Kid for the beginning of my Demo Reels. So, I bought some 
				books and ordered an Oxberry type peg bar drawing board, some 
				paper and animation cels (computer animation was in its infancy 
				at the time). My next step was to convince Darryl that he could 
				draw animation frames of the Lasso Kid and the Steeroid. After 
				some time, Darryl started to get the process down. I would shoot 
				his drawings onto video so we could see how the frames 
				progressed. This helped us see where he needed to make changes 
				or add extra frames and I learned to shoot the frames in the 
				correct order for forward movement! Once satisfied with the 
				pencil drawings, Darryl hand painted each and every cel, over 
				170! Darryl Banks 
				moved on to fame in the comic book world. He is best known for 
				his work in the Green Lantern, Volume 3. I went on to many other projects, fatherhood 
				and unfortunately, some difficult times. The project went on the 
				back burner, but from time to time I would design ideas for 
				animated backgrounds. Finally, within this past year, I was able 
				to find the time to finish this project started so long ago. The 
				number of hours in this short animation is staggering – maybe 
				over a thousand! Darryl’s cels were a great start but a ton of 
				work still needed to be done. I scanned his paintings into the 
				computer one by one and began the painstaking work of producing 
				this project one frame at a time. I soon found that I needed to 
				greatly expand on the number of frames that Darryl had drawn. I 
				manipulated his paintings to add more movement and increase the 
				overall number of frames. I created animated backgrounds and 
				merged all of the elements together. Most of this work was 
				performed in a Windows photoshop environment. Once sequences 
				were complete, I moved them to Apple Motion and Final Cut Pro. 
				The sound was added in Final Cut Pro. At some points I had eight 
				tracks of audio running simultaneously. In all, this thirty 
				second animation contains over 900 individual frames! 
				 I 
				don’t ever see becoming a full-time animation person. I’ll stick 
				to much less labor intensive productions such as shooting and 
				editing film and video. However, now that it’s finally 
				completed, I can sit back and enjoy. I hope that others viewing 
				The Lasso Kid will also find it fun. And if anyone asks me about 
				animation, I’ll tell them not to attempt it without the help of 
				a studio full of animators!  Greg Wolske Producer/Director 
       Darryl Banks From  
				Wikipedia, the free encyclopedia: Darryl Banks is an African-American comic book 
				artist. He worked on one of the first painted comic books, Cyberpunk, and teamed with the writer Mark 
				Ellis to revamp the long-running The Justice Machine series for 
				two publishers, Innovation and Millennium.  At Millennium, working with Mark Ellis, he 
				produced a critically acclaimed mini-series based on The Wild 
				Wild West TV series and what is considered to be the best comics 
				adaptation of Doc Savage with The Monarch of Armageddon. Banks is best known for his run on Green 
				Lantern (Volume 3), which ran from issue 50 till 142 (though 
				there were many fill-ins). Along with co-creating Kyle Rayner, 
				he's responsible for designing costumes for Parallax, Grayven, 
				Fatality, and Dr. Light. He's been under the radar in recent 
				years, having not worked on any notable titles in some time. A 
				recurring character known as "Banks" is part of the cast of the 
				Outlanders novel series written by Mark Ellis, aka James Axler   
				
				     
				 
				
				 |